Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.

A short film about being stuck in a social construct where we are always rushing to catch the ever-elusive concept of joy, love, and success. We have forgotten that all that we need to nurture our souls is already all around us, right in front of us. Nature. The choice is ours: to rush or to live. What will you choose?

In the town of Dillford, humans, vampires and zombies were all living in peace - until the alien apocalypse arrived. Now three teenagers-one human, one vampire, and one zombie-have to team up to figure out how to get rid of the visitors.

暂无剧情简介

暂无剧情简介

In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

After the cremation of his beloved dog, Savva is heartbroken. On his way home, he drops the box on a stenciled inscription on the pavement. Thinking that it is a sign from his dead friend, he calls the number on the inscription. Soon, a prostitute Anya appears on his doorstep. Anya deceives him and steals the box, thinking that it contains jewelry. Savva calls the number again and goes to the address. In the brothel, Savva finds the box, defeats his offenders, but now Anya is in danger. He saves her, she runs after him and asks for forgiveness. Villainous bullets overtake both - but Savva is saved by the box ... And Savva himself must save Anya.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Michele is a three-testicle, sexually insatiable man who goes around bedding all women in town (regardless of age), until one day things goes terribly wrong.